In 2007, 64 people were murdered in the city of Boston. Of those, 47
were a result of gun violence. Preliminary Boston Police Department
statistics released Jan. 28 put this year’s homicide count at eight,
with firearms used in seven of them.
The
overwhelming majority of these victims were young, black and Hispanic
males residing in Dorchester, Mattapan and Roxbury. Few arrests have
been made in connection with these homicides; fewer answers have been
found.
Looking for a new way to talk about the problem, a group of students at
YouthBuild Boston’s Designery in Roxbury are taking a unique artistic
approach to try and shake city residents into action.
With the help of a number of architecture and design firms, students at
The Designery constructed an interactive exhibit that allows visitors
to see, up close and personal, the toll that gun violence takes on the
young. The Designery is a program that enables young people to explore
fields in architecture, construction management, landscape design and
other building industry professions.
“We thought that it was really important to address this issue,” said
Danae Syverain, a senior at West Roxbury High School and resident of
Roxbury. “It’s really important for people to see the violence in our
communities. We wanted to stress it because it’s not what people want
to talk about all the time. We didn’t want to make it so that it was
bringing back any bad memories, but more just addressing what’s going
on.”
To help the students build the exhibit, entitled “Guns, Youth &
Architecture,” professional and student groups offered their services
over the course of several workshops, said Simon Hare, program manager
of The Designery. Workers from local architecture firm Studio Luz,
designers from Stew Design Workshop and work-study students from
Wentworth Institute of Technology all came in to mentor Syverain and
her fellow students and help them make their vision a reality.
“We tried to bring in practicing professionals to be there to offer
their experience and insight,” said Hare. “So this project was a mix of
trying to look at the issue, and trying to design this thing and decide
how to implement it.”
For the professionals lending their hands, the project was about helping kids find an artistic outlet.
“The reason we decided to donate our time … was because I too felt that
something needed to be done after watching the news everyday and
hearing about another young life taken away by a bullet,” wrote Hansy
Better Barraza, principal of Studio Luz, in an e-mail. “The teenagers
were raising consciousness, and what I enjoyed the most was seeing them
participating and doing something about it and working with the arts.”
For one display, the students painted lawn chairs to illustrate the
plight of fellow youth in the city. One chair, entitled “Bricks of
Freedom, Blood of the Dead,” alludes to friends in prison and bloodshed
in the streets. Another called “Where’s the Peace?” symbolizes the
struggle of urban youth with drugs and violence on a day-to-day basis.
Beside the chairs stands a wall of words and illustrations. Visitors
are encouraged to contribute their own drawings or written thoughts on
sticky notes that read, “Ask a question, leave a thought, think about
it, design a solution.” Some of the notes offer a not-so-subtle knock
at those who might have information about a murder, but are too afraid
of retaliation to come forward — “In the case of violence, silence is
acceptance.”
“As somebody who sees violence from a youth point of view, I think you
have to ask yourself the question: Are you part of the problem, or part
of the solution?” said Syverain. “I hear people say all the time that
they want the violence to stop, but it’s just continually going on.
“If we just take a stand and say, ‘You know what, if I see something,
I’m going to call somebody … If I know someone who might be thinking
about doing something, let me inform somebody about it,’” she
continued. “And that’s the problem: people are a little scared to tell
the cops anything. I think if people just stood up and stopped being so
scared, there would be a lot less violence in the community.”
The main exhibit is a striking homage to last year’s victims.
The students hung a map of Boston on the wall and, one by one, marked
the exact locations of all 47 shooting deaths that took place last
year. From each point, they extended a long piece of string to the
rafters, which they then hung down above the floor. A ring of rigid
construction paper attached to each piece of string holds a rolled-up
piece of paper with the name, age and exact street location of every
shooting homicide that took place last year.
Some of those names are well known to Ricardo Rosa, a Madison Park High
senior and member of YouthBuild for the past year-and-a-half.
“I knew a couple people who were shot and killed,” Rosa said. “It
happens every year. Somebody I know, a friend. Two years ago, a friend
on my basketball team was stabbed to death. A year ago, my friend’s
brother got shot outside his own house.
“So we were thinking, instead of forgetting about them, let’s figure
out a way to remember. Let’s make it a bigger issue and see if people
start to step up and do something about it.”
To the students, the names on those rolled-up pieces of paper represent
a start, the first steps in the process of humanizing an issue that has
caused furious uproar in the community. But they also realize that
stemming violence requires an understanding of its underpinnings.
To gain a better perspective, YouthBuild students recently visited the
Boston Police headquarters to see how law enforcement deals with
shooting violence.
“They have pinpoint sensors around big hotspots in Boston, and they
pick up every gunshot,” Rosa said. “We were there one day and they
played back what was picked up [the day before] — eight gunshots in a
row. It wasn’t like it happened a month or two ago; it [had] happened
just yesterday. And it wasn’t just a guy trying to shoot once and drive
away. He shot to try to kill somebody.”
Hare, who will soon leave YouthBuild to focus on developing more
conscientious and socially responsible architectural design throughout
the city, has a unique perspective on the culture of violence in
Dorchester, Roxbury and Mattapan.
“The way our cities are designed may very well have something to do
with the way these gun incidents happen,” Hare said. “What does the
fact that this area, Lower Roxbury, has the highest density of housing
projects have to do with the high number of gun issues in the area?”
Hare says that according to youth workers at the South End/Lower
Roxbury Youth Workers Alliance, the young people who live in housing
projects have a different perception of where they’re from.
“They don’t associate themselves as being from Boston or Roxbury or the
South End,” Hare continued. “They say, ‘I’m from this housing project,’
or this one. The youth workers helped show us all the invisible
divisions within the housing projects, and that each project is
essentially ‘fighting’ the other.
“It’s a layer in the map that the city doesn’t use, but has such a huge
effect,” he continued. “People usually have a very limited perspective
of the city. This map is to try to get people to think out of their
normal path from home to work and back again.”
In the end, these students just want people in the community to do what
they can to stem the tide of violence in 2008. Whether that means an
anonymous tip to police, or keeping small children out of harm’s way to
avoid another tragedy, everyone can do their part to help.
“We want the community to be more aware of the problem,” Rosa said.
“It’s not just about your own family — imagine if it was your friend.
Without people talking to each other in a community, it’s not really a
community at all.”
“Guns, Youth & Architecture” runs through Feb. 21 at The Designery
at YouthBuild Boston, 1884 Washington Street, Roxbury. For more
information on the exhibit or other Designery programs, call
617-989-0408 or e-mail program manager Simon Hare at simon@thedesignery.org.