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Summer arts workshop provides rigor, rewards

Sandra Larson
Sandra Larson
Sandra Larson is a Boston-based freelance journalist covering urban/social issues and policy. VIEW BIO
Summer arts workshop provides rigor, rewards
Students listen as Sam Martinborough (right, standing) explains the staging for the performance that will top off a two-week intensive workshop for Boston area young people. The program is a joint effort by Opera Boston, Mssng Lnks and the Roxbury Center for the Arts at Hibernian Hall. (Photo: Sandra Larson)

Author: Sandra LarsonStudents listen as Sam Martinborough (right, standing) explains the staging for the performance that will top off a two-week intensive workshop for Boston area young people. The program is a joint effort by Opera Boston, Mssng Lnks and the Roxbury Center for the Arts at Hibernian Hall.

Author: Sandra LarsonStudents listen as Sam Martinborough (right, standing) explains the staging for the performance that will top off a two-week intensive workshop for Boston area young people. The program is a joint effort by Opera Boston, Mssng Lnks and the Roxbury Center for the Arts at Hibernian Hall.


On a steamy August evening, a group of Boston area singers ages 14 to 24 rehearse in the ballroom at Hibernian Hall in Roxbury. It’s 6:30 p.m., but fading sunlight still streams through the tall windows, keeping the room uncomfortably warm.

They are working on “O Freedom,” a slavery-era spiritual. “No more weepin,’ No more weepin’ over me … ” intones soloist Riley Blue, a 20-year-old from Hyde Park, before the rest of the group join in, in four-part harmony.

This is day two of Vocal Explosion, a two-week intensive summer voice and drama workshop culminating in a staged performance on Aug. 13. The program is a joint project of Opera Boston, Roxbury Center for Arts at Hibernian Hall and Mssng Lnks, a nonprofit organization lending support to teen vocalists from Boston area urban neighborhoods.

Director Sam Martinborough, Mssng Lnks founder and longtime music teacher and choral director, wastes no time savoring the final note of “O Freedom.”

“Let’s do that one more time,” he says. “I want it to be one … long …  crescendo — starting as softly as you can sing it.”

Martinborough engages his whole body to keep time. He raises his extended arms gradually as if to literally pull up the volume.

He’s still getting to know the 20 young people, but he wants to impress upon them that the rehearsals, which run 4 p.m. to 9 p.m. each day, will require dedication and focus.

“I perform best with teachers who don’t let me get away with anything. I hate them to my bones … and I love them with all my heart,” he tells them. “I need to be that person you both love and hate.”

Vocal Explosion is funded in part by The Boston Foundation’s My Summer in the City initiative, aimed at keeping youths productively engaged in the afternoon and evening hours. Participants were recruited from area churches, music schools and choruses, said Rachel Adler-Golden, Opera Boston education and community engagement manager.

“We looked for kids who are into singing, regardless of whether they have had previous musical training,” she said, “and who showed a willingness to work hard and take artistic risks.”

Some have their sights set on music careers; others simply love singing.

Blue was recruited at Roxbury’s Charles Street AME Church, where he is a soloist in the church choir. He attended the Hamilton-Garrett Music and Arts Academy, an after-school music and cultural development academy at the church. Though not currently aiming for a musical career, he said he sings all day at his job as a painter and handyman.

“God gave me a gift, and I’m going to use it,” he said.

Allieya Perry, 17, attends the Boston Arts Academy and sings with the Boston Children’s Chorus. Her plan, she said, is to attend culinary school and minor in music if possible.

After a dinner break, the rehearsal shifts from singing to staging.

It’s last things first, as Martinborough guides them through the choreography of the final curtain call. He urges them to stay in position, come out in the correct order and bow graciously. They repeat the whole process three times.

The show, titled “Bohemian Faces,” is loosely framed by the opera “La Bohème,” but weaves in other classical music and South African and African American freedom songs — and is set in a 1968 Paris wrought by labor strikes.

Two professional opera singers from Opera Boston, Korland Simmons and Joei Marshall Perry, will be rehearsing with the group and performing some of the operatic parts. In addition, participant Anita Murrell, a Longy School of Music senior and aspiring opera singer from Dorchester, serves as an example to the younger participants of what it looks like to be on the way to a career in music.

At the “closing circle,” the students go around and give one word to describe how they feel at that moment. On this night, responses include “accomplished,” “exhausted,” “aggravated” and “excited.”

 Some of the young people look a bit shell-shocked as they file out of the room and into the now-dark Dudley Square. But Samantha Tan of Quincy, who works all day as a camp counselor before coming to rehearsals, seems to understand what she’s in for.

“I’m not going to say I won’t get tired,” the busy 16-year-old said, “but it’ll be worth it.”

The Vocal Explosion participants will perform “Bohemian Faces” at 7 p.m. on Friday, Aug. 13 at Hibernian Hall, 184 Dudley St., Roxbury.