MFA Boston

In a small wooden cube of a room — a gatehouse, painted blue  — American artist Minnie Evans (1892-1987) found a studio in which, while earning 16 cents an hour from morning to dusk over her 27-year post as gatekeeper of the Airlie Gardens in Wilmington, North Carolina, she turned out thousands of visionary images.

The Museum of Fine Arts, Boston is a globally recognized institution with a reputation for bringing decisive scholarship and illuminating curation to the public. For the exhibition “Curated by Teens: Death as a Constant Companion,” that scholarship is coming from five local students who worked with the support of the MFA to fully realize an exhibition of Dutch and Flemish artworks.

Artist John Wilson, the sculptor behind “Eternal Presence” at the National Center for Afro-American Artists, has been a revered artistic figure in Roxbury for decades. A new exhibition at the Museum of Fine Arts aims to showcase Wilson’s talent on a national scale.

In the newly renovated jewelry gallery at the Museum of Fine Arts, Boston, delicate tiaras float in glass cases next to ornate brooches and avant-garde necklaces. Viewers are drawn to the shiny metals and bright colors, but underneath each piece, an intricate structure of metal, wood, paint and plexiglass keeps those precious artworks posed in a seemingly effortless manner.

Dressing up is steeped both in fantasy and reality. Children dress up as cops and queens and bring their fantasy selves to life with badges and tiaras. In adulthood, sartorial choices tend to be less about play and become more pragmatic.

Last Thursday evening, 130 enthusiastic supporters of Black art gathered at the Museum of Fine Arts Boston’s William I. Koch Gallery to attend a [Virtual] Art Gallery roundtable, themed “The City Talks: Black Art in Colonial Spaces.”

Boston is known for many things, but fashion is not one of them. That’s why Bethann Hardison’s presence at the Museum of Fine Arts on May 4 was a sartorial delight.

Through July 9, “Hear Me Now: The Black Potters of Old Edgefield, South Carolina” at the Museum of Fine Arts, Boston examines the work of enslaved ceramicists creating both utilitarian and artistic objects in the American South.

Attorney Bryan Stevenson, who chronicled his defense of the unjustly convicted and condemned in his 2014 bestselling memoir “Just Mercy: A Story of Justice and Redemption,” gave a sold-out lecture on March 2 at the Museum of Fine Arts, Boston.

“Frank Bowling’s Americas,” on view at the Museum of Fine Arts Boston through April 9, 2023, highlights a specific and prolific period of the dynamic British artist’s career.

On June 28 the employees of the Museum of Fine Arts Boston ratified what will be their first union contract with the museum. By establishing collective bargaining rights, the MFA staff is helping to bring about necessary systemic change for museum workers in general.

Diverse stories are at the heart of the third floor reinstallation of the Art of the Americas wing at the Museum of Fine Arts. The reinstallation, titled “Stories Artists Tell: Art of the Americas, the 20th Century” acts as an artistic anthology, telling a different story in each gallery from Native perspectives of the Southwest to images of the midcentury jazz age.